Opinion: Why Jenni Rivera's Death Will Be Bigger Than Selena's

A woman adjusts a flower in front of candles and pictures displayed in tribute to singer Jenni Rivera at the Plaza Mexico shopping center in Lynwood, Calif., early Monday, Dec. 10, 2012. (Patrick T. Fallon/AP Photo)


There are great performers, and then there are game-changers. Jenni Rivera, who died at age 43 in a plane crash outside of Monterrey, Mexico early Sunday morning, was that rare breed of artist who will be remembered not only for her success, but for all the rules she re-wrote.

As the undisputed queen of banda music, her professional achievements within a male-dominated genre run deep – among her many feats, La Diva de la Banda sold some 1.2 million albums in the United States alone and sold out arenas like the Staples Center in Los Angeles, something no other female regional Mexican artist had done before. But make no mistake: nothing was ever handed to this woman.

Rivera was born in Long Beach, California on July 2, 1969, one of six siblings. The daughter of bartender-turned-music mogul Pedro Rivera, who launched his own record label, Cintas Acuario, in 1987 to produce the music of narcocorrido legend Chalino Sanchez, among others, and launch the career of his own son Lupillo, Jenni was a straight A student in high school. When she got pregnant with her first child as a sophomore, instead of dropping out, she earned her GED at a continuation school in 1987 - as the class valedictorian, no less - before going on to earn a college business degree in 1991.

"Usually, when a young girl is pregnant, she drops out of school and concentrates on being a mother," Rivera, who grew up in a gang-ridden barrio in Long Beach, Calif., told journalist and author Gustavo Arellano in 2003 for an excellent article titled "How Jenni Rivera Changed Mexican Culture Forever," in the OC Weekly. "I thought that's what I had to do, but my counselors told me there was no way they would let me drop out. I had too much promise."

After high school, Rivera started selling real estate (her company, Divina Realty, is still a part of her multi-million business empire to this day). Soon, Pedro would ask her to help in the family-run business by writing legal contracts. But in 1994, a birthday present to her dad in the form of a corrido recording would change everything. One recording turned into several, and soon, local radio stations in Southern California were playing her music and people were paying to see her perform live.

"Though she was first taken as a novelty act, her snarling stage performance soon had men and women whooping for more," wrote Arellano in his article. "Rivera dressed like a Sergio Leone villainess imagined by Snoop Dogg. She varied her voice according to music type, dropping it a couple of octaves when backed by the accordion strains of conjunto norteño or shouting her freedom when backed by the thunderous brass of banda."

From the get-go, there was nothing traditional about Rivera's lyrics or her performance style. The self-penned "La Chacalosa" (The Jackal Woman), released in 1995, is the story of a drug trafficker's daughter who brags about the quality of "the merchandise" she hustles.

In these early recordings, Rivera manifested herself as neither La Malinche (the whore) nor La Virgen de Guadalupe (the virgin) – the two main cultural archetypes for Mexican women. She was just Jenni. And although male artists had been singing corridos since the early 1900s, no woman had ever been as fearless in her lyrics and delivery. The very reasons she was disliked by some, were the same ones that conquered the hearts of her fans, a new generation of people who moved comfortably between the two worlds – Mexican and American.

"Jenni had a plan and she was going to get it," says Arellano, reflecting on Rivera's legacy after her passing. "Everything she said she was going to do, she did it - which is amazing. She said, 'I'm going to have a line of jeans for women like me,' and she did it. My mother's generation viewed her as arrogant, but it's not arrogant when you actually go out and get it. Rivera's life was cut short, but it was a full life."

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Jenni Rivera: A Lasting Legacy, And What Might Have Been

Before the singer's death, she seemed on the verge of a U.S. crossover, much like one of her idols, Selena.

 

Jenni Rivera was born here in the U.S., but she emerged a musical hero among Mexicans and Latinos worldwide. And she appeared to be on the verge of becoming a household name back in her home country when a plane crash took her life Saturday night.

Now people across the globe are mourning the death of the 43-year-old Mexican-American singer who made her name in banda, a typically male-dominated brass-band genre.

Born and raised in Long Beach, California, "La Diva de la Banda," as she was respectfully known, got her start in 1995 when she released her debut album, La Chacalosa, on Capitol/EMI. Later that year, she recorded Adios a Selena as a tribute to Selena, the Mexican-American pop icon who was tragically murdered and later played by Jennifer Lopez in the 1997 biopic.

That connection to Selena is especially eerie, given that Rivera also appeared to be on the verge of crossover success in the U.S., just like the late pop star was before her untimely passing. At the time of Rivera's death, she was filming season three of "I Love Jenni," her Spanish-language reality show on mun2, which also aired in America on the Style Network. And just last week, Rivera reportedly signed a deal with ABC to develop her own sitcom. Fans are left to wonder what might have been if Rivera continued to make strides in U.S. pop culture.

With her last album, 2011's Joyas Prestadas, La Gran Señora delivered an LP full of powerful and well-received ballads like "Basta Ya" ("Enough Is Enough"), but her star far surpassed the studio. Yes, Rivera sold an estimated 15 million LPs, but she just as easily transitioned from music to television with "I Love Jenni" and as a judge on "La Voz," the Mexican version of the popular singing competition show "The Voice."
Through her music, Rivera sang of heartbreak, domestic violence and raising her children as a single mother. Her personal life played out in the media as well: Rivera was famously married to Esteban Loaiza, a former Major League Baseball pitcher who played for the New York Yankees and Los Angeles Dodgers. They divorced earlier this year.

There was no real blueprint for Rivera's success. As a woman playing banda, she faced many roadblocks in a male-heavy field, but in her death, Rivera leaves a long-lasting legacy full of triumph and accomplishment — and thoughts of what might have been.

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Google Doodle celebrates Ada Lovelace

Designed by Kevin Laughlin/Courtesy of Google - Google celebrates Ada Lovelace, who, the company notes in a blog post “published the first algorithm intended for use on Charles Babbage’s Analytical Engine.”

 



Google celebrated a true tech pioneer with a Monday Doodle commemorating the 197th birthday of Ada King, the Countess of Lovelace — more commonly known as Ada Lovelace.

Lovelace is often credited with being the first computer programmer. She worked with Charles Babbage, who laid out the plans for the Difference Engine and Analytical Engine — two machines designed to store numbers and data that were the forerunners to the modern computer.

Lovelace was the daughter of the poet Lord Byron, though her parents separated shortly after her birth. She was raised by her mother, Annabelle Milbanke Byron, described by the Encyclopedia Britannica as “mathematically inclined” and determined to raise Lovelace with a focus on the sciences to combat whatever artistic temperament she may have inherited from her father.

At the age of 17, Lovelace was among the first to grasp the importance of Babbage’s machines, Google noted. In her correspondence, as reported by New Scientist magazine, Lovelace said that “the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves.” She also noted that the Analytical Engine “does not occupy common ground with mere calculating machines” and had the potential to run complicated programs of its own.

She imagined, for example, that computers could be used to compose music — something Google refers to in its doodle, which traces the path of computing from Lovelace’s quill to laptop and tablet composition.
In 1843, she translated and heavily annotated a manuscript on Babbage’s engine written by Italian mathematician Louis Menebrea. Her annotations included the first algorithm designed to be read by the Analytical Machine. That has earned her recognition as the world’s first computer programmer, though some debate the title because the machine she programmed for was never built.

Nevertheless, she is still recognized as a true technology pioneer. Her legacy lives on in the name of the computer programming language Ada and is commemorated every Oct. 16 on “Ada Lovelace Day,” a day set aside to celebrating the achievement of all women in the sciences.

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Ada Lovelace: 'The Enchantress of Numbers' (+video)


Ada Lovelace was the visionary half of the team that helped create the modern computer. Lovelace is honored by Google as the 'first computer programmer.'


Ada Lovelace is honored today by Google for her contribution to computer science. She is variously described as the "first computer programmer" and the inventor of the algorithm.

But Ada Lovelace might have become an historical footnote – the only legitimate daughter of Romantic poet Lord Byron – were it not for her relationship with Charles Babbage, the "father of the computer."

Their work together illustrates the adage: "the whole is greater than the sum of the parts." Yes, Babbage conceived of the "Difference Engine" and the "Analytical Engine." But it was Ada that was able to see the wider applications, the potential beyond its use as a sophisticated calculator.

Ada Lovelace met Babbage in 1833, when she was just 17. He was a professor of mathematics at Cambridge University. Her mother, in an attempt to steer her away from the "dangerous poetic tendencies" of her father, had her tutored in math and music. Her knack for math quickly became apparent.

She and Babbage began to meet regularly and correspond. She was fascinated with his Difference Engine and later the Analytical Engine. Moreover, she had the mathematical chops to understand how it worked – and the vision to see its potential.



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